Exhibitions
Poetry and Painting: Cheung Ping's World of Photography
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Introduction

Cheung Ping studied painting when he was young. He took up photography as a profession later, engaging himself in creative work while at the same time teaching the art. For years he has participated in various competitions and exhibitions, winning awards one after another. He also contributes significantly in instructing talented young photographers and in the popularization of photography.

Creativity is the most important element in the fine arts. “It is better to be abstruse than mediocre.” Cheung Ping understands this principle thoroughly. After a long period of persistent exploration, he finally developed an artistic language which can best express himself, establishing a style of his own which displays the rich artistic charm of the Orient: refined, pure, tender and graceful. He is persistent and innovative in his efforts to experiment with composition. He has freed himself from the commonly-followed “golden section” and has adopted the 5:1 ratio widely. He always tries to make good use of the four corners of the photo and tends to position the focal point (main object) in one of the corners or either the upper of the lower part of the picture, enhancing significantly the effect of the contrast of different sizes and degrees of fineness. He also pays much attention to the combination of points, lines, planes, volumes, light and colours in order to bring out the subject of the picture with the touch of modern Chinese painting.

Each and every photograph taken by Cheung Ping is a lyrical painting. With original composition, poetic mood, elegant style and alluring imagery, they emanate a glamour which is indeed enchanting.

There have always been many who experiment with picturesque photography. I regard Cheung Ping as the one who is the most dedicated, devoted, versatile and brilliant. He absorbed and digested several techniques of painting and incorporated them in his work. He used this principles to enrich his art without losing the fundamental characteristics of photography. The application of his early knowledge of painting combined surprisingly well with his photography. As a result, beautiful flowers blossomed.

With the opening of China, the wonderful landscape of the country provides ample opportunities for picturesque photography. But it is the keen observation, the deep appreciation of the beauty of the earth, a cultured mind, and the diligence and devout endeavour to pursue art that bring about remarkable achievements. In the past 20 years Cheung Ping has produced an enormous body of work. These invaluable artistic achievements are the crystallization of years of effort, including mental and physical strength as well as determination and will-power. They are indeed precious, and should be treasured.

Lau Ka-yee
Chairman
Hong Kong Artists’ Society

Cheung Ping
Cheung Ping 張平 (Chinese only)

香港名攝影家張平,年青時學美術繪畫,從事廣告製作設計。五十多歲後轉業攝影教育,以畫理章法入攝影,甚得年青人追慕,桃李滿門,成績卓越。他每年帶領學員回中國內地,影遊名山大川 ,愛國愛鄉之情懷,在其作品中表露無遺。張平運用中、西之畫理章法而創成個人之畫意攝 新風格。作品中詩情畫意盎然。

張平現任香港美風攝影學院院長,香港多間大攝影學會會員、顧問及美術畫會會員等。廿年來,張平參加聯展、個展及公開學術講座甚多。其作品近年曾在香港、廣州、成都、吉林、東莞、澳門及巴黎等地展出。

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Date
1998-04-22
Time

4:30 pm

Location

University Library Gallery
 

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25 Apr
Event Details:
Dates
23 Apr - 15 Sep 1998
Location

University Library Gallery